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  <channel>
    <title>[PRX] New Reviews</title>
    <link>http://www.prx.org/reviews/</link>
    <description>The Public Radio Exchange (prx.org) is a nonprofit web-based service for distribution, review, and licensing of audio pieces. It is an emerging online community of stations, producers, and listeners collaborating to reshape public radio.</description>
    <language>en-us</language>
    <copyright>Copyright 2003-2008, PRX</copyright>
    <pubDate>Sat, 17 May 2008 03:49:39 GMT</pubDate>
    <dc:date>2008-05-17T03:49:39Z</dc:date>
    <dc:language>en-us</dc:language>
    <dc:rights>Copyright 2003-2008, PRX</dc:rights>
    <item>
      <title>arlene rios reviews "A Crisis of Care: Gina's Story  (1 hour Special)"</title>
      <link>http://www.prx.org/reviews/8130</link>
      <description>arlene rios reviews "A Crisis of Care: Gina's Story  (1 hour Special)"</description>
      <pubDate>Thu, 15 May 2008 21:39:44 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8130</guid>
      <dc:date>2008-05-15T21:39:44Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8130">arlene rios reviews "A Crisis of Care: Gina's Story  (1 hour Special)"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/group/nationalradioproject">National Radio Project</a>, 59:00</h3>
<p><a href="http://www.prx.org/pieces/25345">A Crisis of Care: Gina's Story  (1 hour Special)</a>: <em>One mother's fight to save her daughter's life from a dysfunctional and inhumane health care system in California's prisons.</em></p>
<p>Tones: <em>
</em></p>
<p>I am Ginas Aunt Arlene.
Thank you so much for putting Ginas story out there.
She was a very beautifull woman,bright soul,good heart.
She will forever be in our hearts for as long as we are here on earth.
And I will always be there for Grace.
I pray  that the medical system in the prisons and jails will someday be changed.
These are human beings here!
I try to understand how and why this happened to Gina and other women and men in the system.
Once again Thank you for helping keep Ginas memory alive.

Sincerely,Arlene Rios</p>
<div align="right">
<a href="http://www.prx.org/user/bleuscleus">arlene rios</a><br />
May 15, 2008
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    </item>
    <item>
      <title>Nancy Nixon reviews "A California Diet That Works"</title>
      <link>http://www.prx.org/reviews/8129</link>
      <description>Nancy Nixon reviews "A California Diet That Works"</description>
      <pubDate>Wed, 14 May 2008 17:05:44 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8129</guid>
      <dc:date>2008-05-14T17:05:44Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8129">Nancy Nixon reviews "A California Diet That Works"</a>
(3/5)
</h2>
<h3><a href="http://www.prx.org/user/humble">Robert Skoglund</a>, 00:59</h3>
<p><a href="http://www.prx.org/pieces/25647">A California Diet That Works</a>: <em>Finally -- A Diet That Works</em></p>
<p>Tones: <em>
Informational, Surprising, Unusual</em></p>
<p>Good piece, but I think it is unusual that some one would just send a letter to the producer about his special diet. Everyone has a special diet but this is really special. This guy has like bypassed being a homo sapien and went to like an amphibian or fish. Jesus, fifteen glasses of water plus algea. Yeah sounds like a fish to me.  But whatever, as long as someone is healthy and loses weight, it is socially acceptable. Anyway, good for him and good for the producer.     

by Peter Felde
sophomore
Ouray High School</p>
<div align="right">
<a href="http://www.prx.org/user/KURA-LP">Nancy Nixon</a><br />
May 14, 2008
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    </item>
    <item>
      <title>Robert Skoglund reviews "Will robots replace humans?"</title>
      <link>http://www.prx.org/reviews/8128</link>
      <description>Robert Skoglund reviews "Will robots replace humans?"</description>
      <pubDate>Mon, 12 May 2008 22:30:07 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8128</guid>
      <dc:date>2008-05-12T22:30:07Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8128">Robert Skoglund reviews "Will robots replace humans?"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/user/michiokaku">Michio  Kaku</a>, 08:50</h3>
<p><a href="http://www.prx.org/pieces/25884">Will robots replace humans?</a>: <em>How smart are robots?</em></p>
<p>Tones: <em>
Informational</em></p>
<p>A fun piece. 

"Fun" should be one of the categories offered under "Tones"  because I would place fun above "Informational."

Fun, informational pieces are what public radio should be about. Run them and your audience will love and respect you.

The humble Farmer


</p>
<div align="right">
<a href="http://www.prx.org/user/humble">Robert Skoglund</a><br />
May 12, 2008
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    </item>
    <item>
      <title>David Srebnik reviews "CAROLE KING: TAPESTRY"</title>
      <link>http://www.prx.org/reviews/8127</link>
      <description>David Srebnik reviews "CAROLE KING: TAPESTRY"</description>
      <pubDate>Mon, 12 May 2008 00:21:53 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8127</guid>
      <dc:date>2008-05-12T00:21:53Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8127">David Srebnik reviews "CAROLE KING: TAPESTRY"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/group/joyride">Joyride Media</a>, 59:00</h3>
<p><a href="http://www.prx.org/pieces/24934">CAROLE KING: TAPESTRY</a>: <em>New one-hour radio special tells the story of Carole King's classic album, TAPESTRY</em></p>
<p>Tones: <em>
Inspiring, Intimate, Intriguing</em></p>
<p>Part Historical Document, part introduction anf part reintroduction to one of music's seminal moments and musical discoveries. Carole King's recording, "Tapestry" introduced the singer-songwriter into mainstream households. The recording became her calling card and a mandatory reference point for anyone in the '70s through the '90s who wanted to sing their own songs. 

"Carole King: Tapestry," produced by Joyride Media, recounts the days, the business practices, the hoop jumping and creative adventures that brought music and musicians to the recording studio in the late '60s and '70s. Not a documentary, this is high level radio story telling about some truly (still) remarkable music, musicians and music producers. Host Rita Houston, and the show producers, keeps all of the music and Tapestry expert witnesses together. This story, like the music, never grows old. 

For your post ATC slot, your program specials slot, and all weekend long, listeners will drop what they're doing for an amazing first time Carole King experience or for a wonderful reconnect with one of the big musical events of 1971.</p>
<div align="right">
<a href="http://www.prx.org/user/davidsrebnik">David Srebnik</a>, <a href="http://www.prx.org/group/LDP">Listener Directed Productions, Inc.</a><br />
May 11, 2008
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    </item>
    <item>
      <title>Pauline  Bartolone reviews "A Crisis of Care: Gina's Story  (1 hour Special)"</title>
      <link>http://www.prx.org/reviews/8126</link>
      <description>Pauline  Bartolone reviews "A Crisis of Care: Gina's Story  (1 hour Special)"</description>
      <pubDate>Sun, 11 May 2008 13:05:56 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8126</guid>
      <dc:date>2008-05-11T13:05:56Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8126">Pauline  Bartolone reviews "A Crisis of Care: Gina's Story  (1 hour Special)"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/group/nationalradioproject">National Radio Project</a>, 59:00</h3>
<p><a href="http://www.prx.org/pieces/25345">A Crisis of Care: Gina's Story  (1 hour Special)</a>: <em>One mother's fight to save her daughter's life from a dysfunctional and inhumane health care system in California's prisons.</em></p>
<p>Tones: <em>
</em></p>
<p>Making a documentary about someone who is no longer with us, especially a three-part half hour series, is no small feat. But the first two shows of Making Contact's "Crisis of Care" series does a great job at bringing Gina's story alive. 

I feel like I got to know Gina, and about the pitfalls of health care in the California state prison system. Making Contact helps me empathize with a woman whose desperation in hard times led to a life (and death) sentence inside an unforgiving correctional system. I never hear these stories in the mainstream media. 

Producer Tena Rubio uses great writing to describe Gina's final moments; "dark circles shadow her downcast eyes." The end of the second show was very moving. I love the original music score and I look forward to hearing the third!

</p>
<div align="right">
<a href="http://www.prx.org/user/pauline">Pauline  Bartolone</a><br />
May 11, 2008
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    </item>
    <item>
      <title>Jackson Braider reviews "Bonjour Chanson. French Popular Music for an American Audience."</title>
      <link>http://www.prx.org/reviews/8125</link>
      <description>Jackson Braider reviews "Bonjour Chanson. French Popular Music for an American Audience."</description>
      <pubDate>Sat, 10 May 2008 03:09:49 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8125</guid>
      <dc:date>2008-05-10T03:09:49Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8125">Jackson Braider reviews "Bonjour Chanson. French Popular Music for an American Audience."</a>
(4/5)
</h2>
<h3><a href="http://www.prx.org/user/radio_chas">Charles Spira</a>, 26:56</h3>
<p><a href="http://www.prx.org/pieces/23948">Bonjour Chanson. French Popular Music for an American Audience.</a>: <em>Wonderful French Language Songs for an American Audience.</em></p>
<p>Tones: <em>
Engaging, Offbeat, Raw</em></p>
<p>There is much to admire here, but Yankees -- sadly unimpressive learners of foreign tongues -- have not proved themselves enthusiastic listeners to francophonic broadcasts.

The fundamental of this program is to reach across cultural divide, but  the narrative evidenced here doesn't quite do that.

To work on American outlets, the producers need to remind their audience that multilingual narrative is not limited to babywipe packaging manufactured in Quebec.  I'm not sure how to do that, especially now that the Loony kicks the American dollar in the butt; stlll, they need to prepare their radio audience on how to engage with such programming.</p>
<div align="right">
<a href="http://www.prx.org/user/JBraider">Jackson Braider</a><br />
May 9, 2008
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    </item>
    <item>
      <title>Samson Reiny reviews "A Crisis of Care: Gina's Story (Part I)"</title>
      <link>http://www.prx.org/reviews/8124</link>
      <description>Samson Reiny reviews "A Crisis of Care: Gina's Story (Part I)"</description>
      <pubDate>Fri, 09 May 2008 17:22:16 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8124</guid>
      <dc:date>2008-05-09T17:22:16Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8124">Samson Reiny reviews "A Crisis of Care: Gina's Story (Part I)"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/group/nationalradioproject">National Radio Project</a>, 29:00</h3>
<p><a href="http://www.prx.org/pieces/24380">A Crisis of Care: Gina's Story (Part I)</a>: <em>This is the first of a three-part series, "A Crisis of Care," a look inside California's prison health care system. In this first show, "Gina's Story," we'll hear how a state-sanctioned life sentence became a state-sponsored death sentence as told by loved ones left behind.</em></p>
<p>Tones: <em>
Disturbing, Personal, Raw</em></p>
<p>"Gina's Story" epitomizes Making Contact's aim: To bring to full attention the hidden injustices that are not getting full attention in today's press.  Beautifully writing, choice poignant music, and a personally moving story make this piece essential listening for anyone who cares about the universal right to healthcare...really for anyone who cares about human dignity.</p>
<div align="right">
<a href="http://www.prx.org/user/sreiny">Samson Reiny</a><br />
May 9, 2008
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    </item>
    <item>
      <title>Paul Ingles reviews "A Musician's Life:  Marc Cohn"</title>
      <link>http://www.prx.org/reviews/8123</link>
      <description>Paul Ingles reviews "A Musician's Life:  Marc Cohn"</description>
      <pubDate>Fri, 09 May 2008 01:43:18 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8123</guid>
      <dc:date>2008-05-09T01:43:18Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8123">Paul Ingles reviews "A Musician's Life:  Marc Cohn"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/station/wxpn">WXPN</a>, 05:00</h3>
<p><a href="http://www.prx.org/pieces/25316">A Musician's Life:  Marc Cohn</a>: <em>We haven't heard much from talented singer-songwriter Marc Cohn since his eponymous 1991 hit "Walking in Memphis".  He talks about his new album and the event that spawned it.</em></p>
<p>Tones: <em>
Engaging, Intimate, Polished</em></p>
<p>This series really seems to have a way of getting the artists to open up in a comfortable and revealing way.   Must be Tracey Tannenbaum's interviewing skill.  Her questions are the ones I'd think of to ask, and some I wished I'd thought of to ask.

Marc Cohn's story is an intriguing one, and his answer to a question about how he feels about his biggest hit is great.

Enjoy this one and others in the series.</p>
<div align="right">
<a href="http://www.prx.org/user/pingles2">Paul Ingles</a><br />
May 8, 2008
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    <item>
      <title>Paul Ingles reviews "A Musician's Life: Mary Gauthier"</title>
      <link>http://www.prx.org/reviews/8122</link>
      <description>Paul Ingles reviews "A Musician's Life: Mary Gauthier"</description>
      <pubDate>Fri, 09 May 2008 01:26:26 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8122</guid>
      <dc:date>2008-05-09T01:26:26Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8122">Paul Ingles reviews "A Musician's Life: Mary Gauthier"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/station/wxpn">WXPN</a>, 05:00</h3>
<p><a href="http://www.prx.org/pieces/25622">A Musician's Life: Mary Gauthier</a>: <em>Mary Gauthier quit drugs and alcohol and discovered songwriting.  She's attracted critics and fans with her empathic depictions of people on the margins of society. </em></p>
<p>Tones: <em>
Engaging, Intimate, Polished</em></p>
<p>I've had the pleasure of having Mary Gauthier play a fund-raiser of mine.   She donated her time and performace, so I think highly of her and feel familiar with her story.   Tracey Tannenbaum and the Musician's Life crew really captured Gauthier's essence in this 5 minute package.  The key elements of her own personal story and how it connects with her music are delivered concisely (got to in 5 minutes!).  One great question from Tracey to Mary.  Paraphrasing - with your success and sobriety do you lose touch with the down-and-out characters your songs describe?  Mary has a great answer offered to her by other greats who have managed to do the same: It's O.K. to be happy and somehow you don't lose touch.

Music stations would do well to consider running these segments to lead off special spotlight sets with these artists.  It would give listeners a fabulous context from which to enjoy the music even more.  Bravo!</p>
<div align="right">
<a href="http://www.prx.org/user/pingles">Paul Ingles</a>, <a href="http://www.prx.org/group/grs">Good Radio Shows, Inc.</a><br />
May 8, 2008
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    <item>
      <title>Paul Ingles reviews "The Cost of War, in Sound"</title>
      <link>http://www.prx.org/reviews/8121</link>
      <description>Paul Ingles reviews "The Cost of War, in Sound"</description>
      <pubDate>Fri, 09 May 2008 01:15:26 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8121</guid>
      <dc:date>2008-05-09T01:15:26Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8121">Paul Ingles reviews "The Cost of War, in Sound"</a>
(3/5)
</h2>
<h3><a href="http://www.prx.org/group/bluntradio">Blunt Youth Radio Project</a>, 02:43</h3>
<p><a href="http://www.prx.org/pieces/25860">The Cost of War, in Sound</a>: <em>A sonic exploration of lives and dollars spent in the Iraq War.</em></p>
<p>Tones: <em>
Offbeat, Provocative, Raw</em></p>
<p>Kudos for an inventive approach from Blunt Youth Radio to, in 2:40, issue a wake-up call to listeners that The Cost of War is severe.  

By equating a sum of US Military deaths with an explosion and reffing that explosion in rapid sequence, then doing the same with an automatic weapon to represent the total Iraqi deaths and a cash register to signify the money the US has spent on the war, the producer makes his point.   

I wanted to like this more but I'll tell you my quibbles with it.  By changing the units devoted to each sound, it doesn't really represent the oversized price that the Iraqis have paid.  I'm sure the production debate was over how much a listener could stand to hear but I think if you are going to make a point about one cost being dramatically higher than another, it should be represented sonically too.  

The somewhat non-challant use of violent destructive sounds to make the point made me squirm a bit.  Probably the intention.  I think this was a good idea that could have benefitted from a little bit more brainstorming.   But keep pushing that envelope Blunt!  Appreciate it!</p>
<div align="right">
<a href="http://www.prx.org/user/pingles">Paul Ingles</a>, <a href="http://www.prx.org/group/grs">Good Radio Shows, Inc.</a><br />
May 8, 2008
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    <item>
      <title>Kaila Strickland reviews "Will You Go To Prom With Me?"</title>
      <link>http://www.prx.org/reviews/8120</link>
      <description>Kaila Strickland reviews "Will You Go To Prom With Me?"</description>
      <pubDate>Thu, 08 May 2008 23:02:58 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8120</guid>
      <dc:date>2008-05-08T23:02:58Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8120">Kaila Strickland reviews "Will You Go To Prom With Me?"</a>
(3/5)
</h2>
<h3><a href="http://www.prx.org/group/curieyouthradio">Curie Youth Radio</a>, 03:14</h3>
<p><a href="http://www.prx.org/pieces/18574">Will You Go To Prom With Me?</a>: <em>Asking is the hardest part.</em></p>
<p>Tones: <em>
Engaging, Fresh Air-ish, Real</em></p>
<p>Prom night is often seen as the most festive event of teenhood. Phillip Baggett manages to steer clear of the glamorous party plans and highlight the one stressful step taken way before the big night.  This piece takes you on a journey with Baggett as he tackles the issue of asking a girl to prom. He even uses music to draw us in but there are no distracting lyrics. It's interesting to hear a guy go through the difficulties of asking someone out when it has become such a casual thing to do. It is also refreshing to hear him break away from the pressure to be macho and just be himself. His first attempt doesn't recieve very good feedback. He politely asks, "Would you do me the honor of going to prom with me?" Bagget is told that he sounds a bit too polite and old fashioned. He had a few suggestions on how he should ask a gril to prom before finally getting what he wanted, how he wanted. Perhaps he could have gone into detail about why it was so important to have a date to give the audience a better sense of who he is. Either way, he definately puts himself out there with honesty. Phillip Bagett's personal piece had a lot of personality which, in my opinion, is crucial on radio. </p>
<div align="right">
<a href="http://www.prx.org/user/kailastrick">Kaila Strickland</a><br />
May 8, 2008
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    <item>
      <title>French  Clements reviews "11 Central Ave #83.  Plagiarism, written by James Reiss."</title>
      <link>http://www.prx.org/reviews/8119</link>
      <description>French  Clements reviews "11 Central Ave #83.  Plagiarism, written by James Reiss."</description>
      <pubDate>Thu, 08 May 2008 00:32:08 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8119</guid>
      <dc:date>2008-05-08T00:32:08Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8119">French  Clements reviews "11 Central Ave #83.  Plagiarism, written by James Reiss."</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/group/eighthundred">800 lb. Productions</a>, 03:59</h3>
<p><a href="http://www.prx.org/pieces/25566">11 Central Ave #83.  Plagiarism, written by James Reiss.</a>: <em>This week's installment of the radio comic strip.  Written by James Reiss. Mixed by Walter Dixon.</em></p>
<p>Tones: <em>
Amusing, Engaging, Light</em></p>
<p>I don't normally listen to radio-plays, but this caught me. It's funny as heck, but it's also a novel way of approaching story-telling for radio. It approaches art, in fact, as in the work of certain mid-century Jewish storytellers who reveal truth in the mundane.  

The dialogue is mostly faultless. I love the way it shows how parents forget the way youth is lived, and that kids are capable of working independently. 

The girl's writing is indeed good, some notches better than that earnest-teenager kind of introspection, and the last fifteen or so seconds are just perfect. I can see the dad staring at his thumbs, half-joking that they're getting all tangled. Good work, Mr. Reiss!  </p>
<div align="right">
<a href="http://www.prx.org/user/French">French  Clements</a><br />
May 7, 2008
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    <item>
      <title>French  Clements reviews "The Transformation of a Neighborhood on Decline"</title>
      <link>http://www.prx.org/reviews/8118</link>
      <description>French  Clements reviews "The Transformation of a Neighborhood on Decline"</description>
      <pubDate>Thu, 08 May 2008 00:04:16 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8118</guid>
      <dc:date>2008-05-08T00:04:16Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8118">French  Clements reviews "The Transformation of a Neighborhood on Decline"</a>
(4/5)
</h2>
<h3><a href="http://www.prx.org/station/wrvo">WRVO</a>, 06:15</h3>
<p><a href="http://www.prx.org/pieces/25807">The Transformation of a Neighborhood on Decline</a>: <em>A rundown neighborhood in Syracuse, that has had its share of slumlords, drug users and prostitutes has a new vibrancy.</em></p>
<p>Tones: <em>
Engaging, Informational, Sound Rich</em></p>
<p>It's amazing to me that three houses could instigate such an inspiring rebirth--which is why this piece is right to open with them. The piece gives a good idea of local color, with an opening character's thick New York accent, and notes how when gay folks move in, things are bound to change, in this case, as in most, for the better. The speaker calls it "good gentrification," and the program then points out, interestingly, that the term is not necessarily oxymoronic. (I wasn't totally convinced, but it's got me thinking.) I really got a good feel for the neighborhood, even with a few visual images stuck in my head. 

This piece fills a good niche in discussing issues facing contemporary urbanism, as seen through this single case study. I wish it could have been longer, to delve into the seamier side--the old Hawley-Green, with sounds and interviews of same. 

In a side note, public radio, for all its vaunted liberalism, maybe doesn't represent the gay population as avidly as the gay population tunes in, so it's good to hear the lead speaker here.  


</p>
<div align="right">
<a href="http://www.prx.org/user/French">French  Clements</a><br />
May 7, 2008
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    <item>
      <title>French  Clements reviews "Mock Funding Credits"</title>
      <link>http://www.prx.org/reviews/8117</link>
      <description>French  Clements reviews "Mock Funding Credits"</description>
      <pubDate>Wed, 07 May 2008 23:51:40 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8117</guid>
      <dc:date>2008-05-07T23:51:40Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8117">French  Clements reviews "Mock Funding Credits"</a>
(5/5)
</h2>
<h3><a href="http://www.prx.org/user/agoldstein">Abby Goldstein</a>, 01:07</h3>
<p><a href="http://www.prx.org/pieces/885">Mock Funding Credits</a>: <em>A smart and funny mockery of our typical NPR funding credits</em></p>
<p>Tones: <em>
Amusing, Disturbing, NPR NewsMagazine-y</em></p>
<p>I'd like to hear this one on the air more than "very much." I want to hear that one high-voiced guy say most of it, then Michele Norris say the rest. This would blow America's mind. America needs its mind blown. That said, the piece has an element of navel-gazing. But what awkwardly realistic navels! </p>
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<a href="http://www.prx.org/user/French">French  Clements</a><br />
May 7, 2008
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      <title>Larry  Carlson reviews "David Bouchier Essay: The Voice of Authority"</title>
      <link>http://www.prx.org/reviews/8116</link>
      <description>Larry  Carlson reviews "David Bouchier Essay: The Voice of Authority"</description>
      <pubDate>Wed, 07 May 2008 23:46:08 GMT</pubDate>
      <guid>http://www.prx.org/reviews/8116</guid>
      <dc:date>2008-05-07T23:46:08Z</dc:date>
      <content:encoded><![CDATA[<h2><a href="http://www.prx.org/reviews/8116">Larry  Carlson reviews "David Bouchier Essay: The Voice of Authority"</a>
(4/5)
</h2>
<h3><a href="http://www.prx.org/station/wshu">WSHU</a>, 03:49</h3>
<p><a href="http://www.prx.org/pieces/16331">David Bouchier Essay: The Voice of Authority</a>: <em>David wonders why we need authority figures.</em></p>
<p>Tones: <em>
Light-hearted, Real, Simple</em></p>
<p>Well said commentary on what the media is doing to create.. what they call, entertainment at the expense of others. It indeed makes me question what has happened to individuals that  need this type of negitive attention to make life worth while. What ever happened to the days of creating fun out of thin air, or playing with a stick in the sand. Must we poke fun at others or feel grace in being made fun of. We must begin to bring each other up....and yes laughing at ones self can be a sign of a good self esteem.

                     Larry Carlson
                     Music Therapist
</p>
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<a href="http://www.prx.org/user/Geri">Larry  Carlson</a><br />
May 7, 2008
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